Sunday, May 3, 2009
Latest Session
Paul did come down for an afternoon/evening session and he didn't disappoint. Very good vocal takes of about 3 songs were captured. We still have a long way to go but I think we'll get there on time or shortly thereafter. Hopefully Paul can come back soon when he's ready to lace a few more tracks. Until then, we'll keep working on polishing the rest of the music like some refugee child shining shoes at an airport.
Sunday, April 19, 2009
One Week Away
Next weekend I come to have some fun and throw down some new melodies. Looks like Mr Funtime (Be De Le De Le De) will get worked on as well as Holy October getting spiffed up plus some other favorites. I'll get to hear what Mr Dhu laid down, which will be a treat.
Hopefully we will be able to get some footage up of my visit as well.
Hopefully we will be able to get some footage up of my visit as well.
Wednesday, April 15, 2009
Reunion with Dhu
Ryan Dhu, a guitarist and friend from our pre-Rochambeaux days, stopped in after 15 years and laid some tracks on songs he helped write so long ago. The Lonely One, Eternal Slumber, and Crow, although written approximatley 16 years ago, will all appear in their new, polished, yet true to form state, on the new album. Hopefully Ryan can continue to contribute in the future, but either way, it was great having him add to these vintage classics that most of the world has never heard. October should change that.
Monday, April 13, 2009
A Halo Needs a Pitchfork
Are most contributing members of society aware of the fact that there are multitudes of succubi out there counteracting our noble efforts, or do we consciously disregard this troubling truth? Sometimes it's easier not knowing that there are people out there who offer nothing and take everything. I on the otherhand feel fortunate that I get to meet these people as a part of my work outside of music. These encounters make me realize the real value of good people in contrast to the bad. I'm not sure the blissfully ignorant people fully appreciate the difference since they typically don't see both sides. So my thesis is this. If you want to truly appreciate something, go study its opposite.
Monday, March 16, 2009
Hello All
Hey there, people. This is Mr Singer himself just checking in from infant land. My 2 month old son is doing well (aside from a recent virus that kapowed the whole household) and I am extremely tired. lol. Those of you who have kids remember those days. That being said I am slowly working on some of the songs Wayne has sent me and now most of the songs are in some state of finishedness. I do await arrival of more fine tuned works. Wayne and I will be setting up time for me to come down and put my special stamp on the creative process. Until then keep up the good work, boys.
Thursday, February 5, 2009
Plot Points
My wife is always watching these Spanish Soap Operas where exotic looking half clothed women scream and cry all the time and the men angrily speak too fast to understand even though it's in Spanish and I don't understand it anyway. So what I do is make up things that they're probably talking about instead of worrying about the plot points. If I'm forced to watch or hear that stuff, I might as well make it entertaining.
The same can hold true for music. Many times I find out a song I've loved for years isn't at all about what I thought it was. Sometimes it ruins it for me and I prefer to hold on to my interpretation of the song instead of knowing that it was really about a dog that died (I Used to Love Her) for example. So to that end, we strive to create some rather obscure and vague songs that are about something, but you can interpret in many different ways and make them about whatever you want. That way you don't have to think too hard or worry about getting it. Whatever you think we're talking about is fine. You're probably wrong but no one knows that except us and we won't tell anyone you're lying.
The same can hold true for music. Many times I find out a song I've loved for years isn't at all about what I thought it was. Sometimes it ruins it for me and I prefer to hold on to my interpretation of the song instead of knowing that it was really about a dog that died (I Used to Love Her) for example. So to that end, we strive to create some rather obscure and vague songs that are about something, but you can interpret in many different ways and make them about whatever you want. That way you don't have to think too hard or worry about getting it. Whatever you think we're talking about is fine. You're probably wrong but no one knows that except us and we won't tell anyone you're lying.
Ping Pong
Paul and I have been bouncing ideas back and forth via email in regards to songs we're working on. This makes the collaboration process possible over long distances. I know we didn't invent this concept but it took awhile for the revelation to sink in. Now we're in safer waters and this should speed up the progress of the album a bit.
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